The difference between stupidity and genius is that genius has its limits. —Albert Einstein

Limits that are placed on us can be frustrating but sometimes, when we relax, we find those limits are actually quite beautiful
We are one year away from an incredible experience. On this date in 2017, a total solar eclipse passes over the United States on a path from Oregon to North Carolina. The premium viewing point is in Southern Illinois. Here in Indianapolis, though, we might actually see something more spectacular. Instead of a complete blackout in the middle of the day, we will be left with just the tiniest sliver of light. Granted, it will still be pretty freaking dark and you do not want to look at that thing with bare naked eyes. Optometrists don’t need the business that badly. Still, I’m anxious to see the effect of that tiny sliver of light.
Mythologies surrounding a solar eclipse are many. Several ancient cultures believed the sun was being eaten by one animal or another. Others believed a god was decapitated and obscured the sun. Ancient Greeks were all about doom and gloom and were certain that horrible, horrible things were about to happen. They were right. They would have been right without the eclipse as well. Ancient Greece was just screwed no matter what.
While we must have light, and lots of it, to live, there are benefits to using limited light, especially when it comes to creative matters. Working within those limits can be challenging, especially when what light exists comes from the wrong direction or a very weak source. Yet, when we take that challenge and bend it to our will, the limits we work within can result in wonderful creativity.
The Limits Of Sanity
My friend Keith allows me to borrow his creative space from time to time. There are some concepts that really need the tools and effects of a studio, but shooting in any indoor environment comes with some inherent limits. The lights are a different temperature than natural light. There are walls and a limit to how the light will spread. Backgrounds don’t always match the concept as well as we might like. Ceilings, ugh, are never high enough. Yet, there are benefits to working within those limits.
Where we stretch the limits of sanity, and of my camera, are when we reduce that light down as low as reasonably possible. Keith always looks at me like I’m crazy when I ask him to turn off all the lights but one. When working with such a limited light source, it doesn’t take much to generate a misfire and a photo that is unusable. Getting it right takes some experience, some precision, and no small amount of luck.
It’s one thing to employ this tactic on a still object. Doing it with a live model is even more challenging. Every time she moves risks putting her outside the light’s premium arc. We’re looking for highlights we can exploit and her range of motion is bound by the limits of where we know the light is going to hit. Not every frame is going to be usable. Am I crazy to put someone through these limits? Probably, but I’m doing it anyway.
A Little Bit Of Light
The effectiveness of such limited lights depends on the camera one is using and the settings one chooses. Both the Nikon D750 and the Canon 5DS have insanely high ISO ranges which allow for settings near 3,000 without experiencing a lot of digital noise in the image. To take the pictures below at such a setting would defeat the purpose. The highlights would be totally blown out and the rest of the image would feel off, cold, and awkward. As it turns out, though, I don’t have one of those cameras so I don’t have to make those choices.
The images below were shot at a standard ISO 100 with an aperture of f2.8. Again, more limits. At that setting, only the brightest of light is getting through. Focus is challenging as hell. Composition becomes guess work. We might have ended up with a complete mess. Yet, despite all the limits, or perhaps because of them, we came up with a collection that I like very much.
I have to admit, these photos were taken three years ago and I’m just now processing them. There were others in the collection from the same studio session that were more important. I’m not so sure but what waiting serves the best interest of the photographs. The processing method we used on these wasn’t possible back then. Sometimes waiting is worth the frustration.
Below is the end result. After all the limits came to bear, we still ended up with a set of images I really like. I hope you enjoy them as well.
The News In 140 Characters
It’s amazing that the amount of news that happens in the world every day always just exactly fits the newspaper. —Jerry Seinfeld
Does anyone read the news anymore or do they just look at the tweets and the headlines?
I saw an interesting editorial cartoon yesterday, which, of course, I didn’t have the foresight to actually save so that I could accurately reference this morning. The cartoon lamented the fact that when historians look back at the exchanges of this presidential election, it will be candidates 140-character tweets they’ll examine rather than anything like the Lincoln-Douglas debates.
The comparison is stark. How news and information is delivered has changed not only in terms of media, but the brevity with which news is delivered. Sure, there will be debates during this campaign cycle, but even those will ultimately be reduced to sound bites of 140 characters or less.The Twitter limit applies not only to the application, but to the reduced size of our attention spans.
Once upon a time, the details of the news and the excellence of reporting and writing were honored. Winning a Pulitzer prize was an exception because of talent and skill. Now, winning a Pulitzer is an exception because someone actually put in more than 300 words worth of effort. Long-form reporting still happens at places such as the New York Times and Washington Post, but then the media departments of both newspapers instantly find ways to reduce thousands of words to a 140-character tease.
Even here, I create a 140-character excerpt that appears in social media links to the article. Hundreds of people view that excerpt, but only a fraction of those read the article. We frequently use nude imagery not because it has anything to do with the article, but because it is a quick way to get attention.
Tweeting The News
Almost every newspaper of any size now has a media department. That staff is responsible for not only creating 140 character descriptions of articles, but managing and measuring the responses they get to those descriptions. Read through the comments on almost any provocatively written tweet or Facebook post and it becomes evident that many of the most volatile remarks are made by people who never actually read the article; they’re just responding to their interpretation of what the article might say based on the structure of that tweet.
Great tweet writing is a skill and in today’s media it is just as important as headline writing and copy editing. A well-constructed tweet can bring thousands of eyes to a topic, or can leave one totally ignored. Knowing which hashtag to include, the precise verbiage that is easily understood, is not something that was traditionally taught in journalism schools. Rarely does anyone notice when a tweet is done well. Let a newspaper or politician miscommunicate online, though, usually through a poor choice of words, and watch the shit hit the fan.
To illustrate my point, let me share some of the most recent news tweets across a variety of topics. There’s more information behind each tweet, but how many people will actually bother to click through and read the articles? I’m betting not many. Fewer than 10 percent of readers ever click a link, here or anyplace else on the Internet. Let’s see how you do.
Politics
Information
Society
Putting Things In Perspective
How many of those articles did you click through to investigate? Any? Consider that a few short years ago those nine stories would have been enough to fill a 30-minute television newscast (sports and weather aside). In print, they would have dominated the A section of any newspaper. Yet, here you have it all in 140 characters and some well edited GIFs.
I’m old, so it is difficult for me to see this shift as anything other than a loss of information and understanding. Reading through a flurry of tweets, we might come away feeling more intelligent and informed, but we don’t actually know enough about any of those stories to speak knowledgeably and authoritatively. Not that such a lack of information ever stops us. We’re quite willing to go ahead and open our mouths anyway, facts be damned.
What probably bothers me most about this change in how we receive information is that without all the details we are more likely to react harshly, sarcastically, and with suspicion. We don’t trust the tweet because we don’t allow ourselves to gain enough information to understand the full story. We lack compassion. We lose the opportunity to learn. We fail to consider different perspectives. We wander around so ignorant that we don’t recognize ignorance.
If you’ve made it this far into today’s article, you likely already understand. Of the few people who started the article, less than five percent finish. Again,that’s not just true here, but for most any online reading.
Perhaps one day the pendulum will swing back the other direction and we’ll appreciate well-written and ardently-reported stories again. This 140-character world doesn’t work for me. We need more information, not less. I suppose that’s every individual’s choice, though, isn’t it?
Sigh. At least there’s a nude picture at the top.
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